Tuesday, March 27

TV Guide to Launch Video Search Engine

Media staple TV Guide will soon launch its own search engine that will
guide people to online video across the web, reports the Associated
Press.
Instead of becoming a video channel of its own along the YouTube
model, the engine will simply crawl the internet and index the video
it finds. Only 60 sites will be crawled, all from TV networks or other
major companies such as Google and others. TV Guide will monetize the
search function by selling ads within results and licensing out the
tool.

Far from being a "right now" play, TV Guide has its eyes on the
future, when TV and the internet will be integrated and it can help
people find video content regardless of distribution platform.

The company hopes results will be more relevant to the user based on
its cross-referencing an item's metadata against its huge database of
programming information. Users will be allowed to save videos to an
offline application.

NBC Pitches Cross-Media Engagement Measurement

With its programming appearing on several platforms, NBC wants to
provide advertisers with numbers of a show's total impact, reports
MediaPost.
NBC isn't satisfied with just selling advertising on its namesake
network. Instead, it wants to show advertisers how many people are
watching it there, on other NBC Universal networks, online, and via
iTunes. Such numbers could, of course, push a show's ratings up
considerably.

Last year NBC cut a deal with Toyota that included an "engagement"
measurement, and this cross-media emphasis could go beyond even that.
Multiple views of a single episode would be particularly important
since those would provide multiple ad exposure.

Monday, March 26

Overlay CTR, on Forbes.com

Videoegg of San Francisco also offers a clickable overlay ad option
called a "ticker," as well as an "endcap," which provides a number of
clickable options at the end of a video clip. The options could lead
to a video ad, other video content or even a game. Videoegg's ads cost
about $10 to reach a thousand people, while conventional pre-roll ads
cost $20 to $50 to reach the same number.

Omnicom Group (nyse: OMC - news - people ) subsidiary Organic used
Videoegg's technology for a promotion last year for Fox TV's The O.C.
that ran on Videoegg's ad network and portal sites including Time
Warner's (nyse: TWX - news - people ) AOL, Viacom's MTV and News
Corp.'s (nyse: NWS - news - people ) MySpace.

If a viewer clicked on a ticker at the bottom of the screen, the video
they were watching was automatically paused and a new screen opened
where the viewer could watch a promo for The O.C. If the viewer didn't
click on the ad, the endcap at the end of the clip offered them the
option of watching a preview for an upcoming episode.

Fox netted a 5% click-through rate from the endcap and 6% to 8% for
the overlay, according to Rick Corteville, Organic's executive
director of media. That represented a far better audience response
than the 0.2% click-through rates that eMarketer says is typical of
static banner ads.

Friday, March 16

Advertising.com: 80% More Publishers Veer to Video Ads in ‘07

With its 2007 online publisher survey, Advertising.com, Inc. has
revealed that 80% more publishers support video advertising formats
this year versus last. The survey addressed the future of online
advertising revenue growth, advertiser objectives and advertising
capabilities for publishers.

Furthermore, 100% of websites that support streaming content are
monetizing it with video advertising. Advertising.com's predictions
for 2007 include publishers adding more original streaming content to
their websites, and making a move away from syndicated or
user-generated content.

David Jacobs, senior VP of publisher services for Advertising.com,
said, "Video has a lot of value for advertisers. It carries great
emotional impact like TV, yet it can be measured and can't be skipped.
That value means publishers can command higher CPMs – hence the rise
of streaming content."

The report also affirms the widely-observed trend of traditional
advertisers shifting more spending towards online, with the focus
resting simultaneously on branding and direct response objectives.

Dominance of CPM pricing models, the focus on larger ad sizes, and the
use of more sophisticated advertising formats such as video and rich
media were other findings within the report directly related to both
branding and direct response campaigns. Notably, direct response
advertising, including text links and CPC/CPA pricing, is expected to
decline in 2007.

Thursday, March 15

Tremor Adds Former IAB Chief To Board, Opens SF Office

Tremor Adds Former IAB Chief To Board, Opens SF Office

GREG STUART, FORMER CEO AND president of the Interactive Advertising
Bureau, has racked up another board post. He's joining Tremor Media's
board of advisors, the rich media and video ad network said. Tremor
said Stuart will offer strategic guidance and form an advisory board
for the company.

Stuart, who left the IAB late last year, already sits on the board of
Rapt., Inc., a profitability management company, and Allyes, a Chinese
company. He also serves on the advisory boards of Adify Corp., an ad
network; Fraudwall; Veoh; ZenZui; and Vizu, in addition to the
non-profits SEMPO and IAB Mexico.

"Greg is involved in every aspect of the industry. He knows everyone,
and is one of the guys who truly gets it," said Randy Kilgore, chief
revenue officer of Tremor Media.

"Greg's experience, industry knowledge and contacts will be tremendous
assets for us as we continue to grow," said Jason Glickman, CEO,
Tremor Media.

Separately, Tremor said it's expanding its West Coast presence by
opening a San Francisco office to help promote the launch of its
Ad-inStream ad-serving product.

In conjunction with the new office opening, the company named Matthew
Rochios as director of sales-West Coast, and Gregory McAllister as
regional sales manager-Western Region.

Rochios, formerly a sales manager at MySpace.com, will manage all
sales and marketing activities for Tremor on the West Coast.
McAllister, who worked in client acquisitions at TrafficBuyer Digital,
is charged with increasing awareness of Tremor's video and rich media
ad services by working with agencies, marketers, and brand managers.

Wednesday, March 14

NBC & MobiTV

NBC Universal will start selling episodes of "Heroes," "The Office,"
"Monk," "Battlestar Galactica" and other full-length TV shows to
wireless users that subscribe to MobiTV, the companies said this
morning.

But despite the popularity of those shows, this offer doesn't seem
likely to move the bar on mobile TV adoption.

For one thing, the shows seem expensive, going for a minimum of $1.99
per episode, which will buy users only a 24-hour viewing period.
That's the same as most shows go for on Apple, but iTunes downloaders
own those programs -- meaning they're not limited to a 24-hour viewing
window. With Apple's iPhone due to hit the market soon, NBC's plans to
offer 24-hour rentals of its shows isn't likely to lure many early
adopters -- which also make up the MobiTV subscriber base.

Too, the 24-hour limit might prove impractical, as many mobile
batteries run down after several hours; if users spend one of them
watching "Monk," that's less time available for talking.

The deal also includes some free add-ons for MobiTV subscribers,
including ad-supported versions of some shows, like "Friday Night
Lights," "Shear Genius" and "Work Out." But those offerings in
themselves don't seem likely to drive MobiTV adoption.

Tuesday, March 13

Ex-Disney Chief Building Video Kingdom Online

Michael Eisner, the man who revived a struggling Walt Disney company
in 1984 and prompted the development of hit animated features like
Beauty and the Beast, Aladdin, and The Lion King, is now trying his
hand at online video.

Eisner's investment firm, the Tornante Company, has formed a new
studio called Vuguru to produce video features for the Web. Vuguru's
first internet show, a mystery serial entitled Prom Queen, will debut
on April 2, 2007. One 90-second episode will be released each day for
80 days on Vuguru.com, Ellegirl.com, the site of one of the show's
sponsors, and promqueen.tv, a site dedicated to the show which will
also include forums and blogs. Episodes will also be distributed on
video-sharing sites YouTube and Veoh. Eisner is a Veoh board member.

"There's a new distribution platform that's going to be ubiquitous,
and that's clearly broadband," said Eisner in an interview first
published in USA Today. He said that sharing sites like YouTube
captured the "short-term" audience, but that "winning the marathon
will be professionally produced, emotionally driven story
content"–like Prom Queen.

The show will feature pre- and post-roll ads with product placements
from Fiji Water, Pom Wonderful juices and Teleflora florists.
According to USA Today, it's difficult to find sponsors because
produced online video is such a new medium and there are not yet any
audience numbers to report.

"We're making up our own rules as we go along," admits Eisner. He
hopes this new venture will help people see the business value of
professionally produced online entertainment.

Viacom in $1 bln copyright suit vs Google, YouTube

NEW YORK (Reuters) - Media conglomerate Viacom Inc. (NYSE:VIAB - news)
sued Google Inc. (Nasdaq:GOOG - news) and its Internet video-sharing
site YouTube for more than $1 billion on Tuesday in the biggest
challenge yet to the Web search leader's strategy to dominate the
online video market.

The lawsuit accuses Google and its popular online video unit of
"massive intentional copyright infringement," threatening its
ambitions to turn YouTube into a major distributor of entertainment
and outlet for advertising.

Shares in Viacom gained 1.25 percent to $40.07 and Google shares
slipped 1.25 percent to $449.07 in morning trading.

Sumner Redstone-controlled Viacom has been the most vocal critic of
YouTube as it sought to negotiate payment for use of its media
programming.

NBC Universal and News Corp. (NYSE:NWSA - news) have also criticized
YouTube's copyright protection policies but stopped short of taking
legal action.

YouTube does not prevent copyrighted content from being uploaded onto
its site, but it will take material down if contacted by copyright
owners.

"YouTube's strategy has been to avoid taking proactive steps to
curtail the infringement on its site, thus generating significant
traffic and revenues for itself while shifting the entire burden --
and high cost -- of monitoring YouTube onto the victims of its
infringement," Viacom said in a statement.

Viacom filed the suit in the U.S. District Court for the Southern
District of New York, seeking an injunction against further violations
as well as damages.

Google said it was confident that YouTube respects the copyrights at
issue in the Viacom case.

"We will certainly not let this suit become a distraction to the
continuing growth and strong performance of YouTube," Google said in a
statement.

Viacom, home to the MTV and Comedy Central channels, contends that
almost 160,000 unauthorized clips of its programming have been
uploaded onto YouTube's site and viewed more than 1.5 billion times.

The decision to sue Google followed "a great deal of unproductive
negotiation," the company said.

WEB VIDEO RACE

Google bought YouTube last November for $1.65 billion, aiming to
capitalize on its explosive audience growth built from sharing both
homemade and professionally produced videos.

The company said it would introduce technology to help media companies
identify pirated videos uploaded by users, but has not given a firm
timetable.

Viacom and peers like NBC Universal are also investing heavily in
their own Internet video sites in an effort to benefit from the
migration of television audiences to the Web.

"Viacom's Web traffic is increasing nicely since it pulled content
from 'GooTube,"' said Richard Greenfield, analyst at Pali Capital.

"There is certainly an opportunity for YouTube to do a deal with
Viacom, but Viacom does not have to have a YouTube deal," Greenfield
said.

Google's dominance in Web search had already made it a magnet for
lawsuits by copyright and trademark holders.

The Silicon Valley company faces outstanding lawsuits in the United
States and Europe by major book, magazine and online news publishers
as well as small-time Web site operators.

Google has prevailed in high-profile suits against it by auto insurer
GEICO over trademark infringement and in a demand by the U.S. Justice
Department that Google comply with a request for consumer Web search
data.

Online video service Vmix lands NBC deal

NEW YORK (Reuters) - vMix Media, the online video technology company,
said on Tuesday it has launched an NBC channel that features
promotional video clips of top shows "Heroes" and "30 Rock," as media
companies seek outlets that also protect its copyrights.
ADVERTISEMENT

vMix, founded by former executives at music site MP3.com and Universal
Music Group, offers tools for media companies to offer online videos
and provide features that encourage users to send messages and leave
comments.

"You don't want PrettyBoy13 in Des Moines putting up a clip people are
talking about, and NBC has no idea what's going on," Greg Kostello,
vMix chief executive, said in an interview.

Kostello refers to the popularity of Google Inc.'s YouTube, the top
online video service, whose runaway success and lax filters to screen
for copyrighted videos before they are uploaded, has drawn the ire of
the media industry.

Clips from television shows are uploaded to YouTube by its members,
often without permission from content owners.

Although NBC also has a promotional deal with YouTube, they have been
unable to reach a broader distribution deal for more of its videos.

San Diego-based vMix signed a deal with Tribune Co.'s interactive
division in January to off

Monday, March 5

YuMe Brings 'Brand Safe' Advertising to Online Video

A new online video network called YuMe has launched, offering
advertisers the ability to target messaging to online video content
the way they do with keyword placements, reports MediaPost.

Included is a technology solution ensuring "brand safe" content for
the placements, addressing an issue of concern to brand marketers,
which tend not to want their ads to appear next to questionable
material.

YuMe uses a proprietary contextual mapping technology to scan online
video content and then categorize it into such channels as Auto,
Finance, Entertainment and Family Friendly. In addition, YuMe's
technology offers real-time reporting capabilities and the ability to
modify creative by market on the fly.

This targeting ability could appeal to automotive advertisers looking
to showcase local dealers in different markets, or airlines or
restaurants wanting to run different price promotions in different
locations.

Thursday, March 1

ROO to Acquire Assets of Wurld Media

The Acquisition will Accelerate ROO's Deployment of Peer-to-Peer
Technology, Social Networking, E-Commerce Applications and Digital
Rights Management Capabilities

New York, NY (February 27, 2007) - ROO Group (OTCBB: RGRP) today
announced that it will expand its video offerings to include secure
peer-to-peer distribution, social networking, digital e-commerce and
comprehensive digital rights management through a planned purchase of
Wurld Media.

ROO has signed a letter of intent to purchase Wurld Media's assets for
up to $10 million, to be paid in cash and ROO common stock at $4.39
per share. Under the terms of the letter of intent, ROO will
immediately advance $1.5 million to Wurld Media, which shall be
evidenced by a promissory note. Further, upon the closing of the
acquisition, ROO will pay $6.5 million dollars in stock or cash and
ROO will agree to issue an additional $2 million in ROO stock upon the
achievement of milestones. The transaction is subject to certain
conditions, including the negotiation and entry into definitive
acquisition agreements and the completion of further due diligence.
The parties anticipate that the transaction will close in 120 days or
less.

AOL in talks to buy Third Screen Media - WSJ

NEW YORK (Reuters) - Time Warner Inc.'s AOL is in talks to acquire
mobile phone advertising start-up Third Screen Media, the Wall Street
Journal said on Tuesday, citing people familiar with the matter.

The deal for the company, which posts small advertisements on
cellphone screens, is likely to be in the range of $80 million, the
paper said, adding that the talks could still fall through.

Last year, Microsoft Corp.'s MSN unit was close to buying Third Screen
but the deal fell apart, the paper said, citing people familiar with
the matter.

At that time the company told Reuters that it was looking for
additional funding to expand its mobile advertising business rather
than trying to sell the company.

AOL and Third Screen have been negotiating since early this year and
discussions are fairly advanced, the Journal said, citing people
familiar with the talks.

If a deal happens Third Screen is likely to become part of AOL's
Advertising.com unit, which helps broker ads on the Internet, the
paper said.

AOL and Third Screen were not immediately available on Tuesday to comment.

Wireless providers, advertisers and media companies are all eyeing
wireless devices as potential vehicles for advertising as more and
more cellphones have high quality color screens, video players and Web
browsers.

Third Screen hopes to carve out a niche in this market by selling
software that specializes in placing ads on mobile video clips, Web
sites and video game players.

Tuesday, February 27

All about Video

posted by Robin Good on Masternewmedia (abstracts only):

Online Video will affect news consumption, will change television
viewing patterns and habits, and will give ways to new forms of
entertainment and training.

The number of changes and transformations that video is just about to
bring to the online world are too many and too significant not to be
paid attention to.

So, not only I am fully confirming my belief that 2006 will be the
year that video will establish itself on the Internet well beyond its
present pioneering status, but I want to bring to the table a number
of specific innovations that will see happening and that will
definitely affect the way we use and consume video-based contents.

Those who will best understand and appreciate the key implications of
the many deep changes that video is about to enable are those that,
free of prejudice and past media views, will start to experiment,
research and ride some of these formidable forces that are powering
video media to be the most irresistible force in Web communication to
rise up to wide popularity in the coming months.

- P2P Television.
- Micro-TV.
- New monetization opportunities for video-makers.
- Video content sold to and among content publishers.
- Video mashups.
- Citizen-TV.
- The value of video archives.
- Video search.
- Flash video.
- Home as a media hub.
- Video integration in many applications and services.
- Screencasting.
- Interactive Real-Time Video.
- Web Conferencing and Collaboration.

Monday, February 26

Google in content deal with media companies

The New York Times

Google built an empire delivering advertisements across the Internet,
and now it plans to distribute content from media companies just as
aggressively.

Google is working with Dow Jones & Company, Conde Nast, Sony BMG Music
Entertainment and other large content companies to syndicate their
video content on other Web sites. The videos appear inside Google ad
boxes on sites that are relevant to the content of the videos, and
advertisements run during or after the content. Google shares the ad
revenue with the video provider and with the sites that show the
videos.

There are already video ad networks that make similar deals, and NBC
Universal is attempting something along those lines. But the Google
experiment could be more widespread because the company already has a
vast reach on the Internet.

"Once upon a time, if you had some video content that you wanted to
distribute, you could do it on three television stations in the days
of the networks, then 100 in the days of cable," said Kim Malone,
director of online sales and operations for Google AdSense. "Now,
thanks to this program, you can do it on literally millions of
channels on the Internet."

On the financial news site StreetInsider.com, for example, videos from
The Wall Street Journal, a Dow Jones property, are running within ads
on the site. In one, Emily Friedlander, a Wall Street Journal
reporter, narrates a video feature on the TKTS booth in Times Square;
Sam Schechner of The Journal speaks about marriage in TV shows; and
Jonathan Welsh visits a motorcycle show.

After the three videos, a commercial from Pantene Pro-V, a hair
conditioner, appears. In that case, Google shares the ad revenue with
StreetInsider.com and Dow Jones.

The videos and the accompanying ads can also be found on articles on
YoungMoney.com, AdVersus.com and SeatGuru.com, among other sites. A
ski resort show created by LX.TV, a broadband network, is being shown
with ads on skiing blogs.

The ads are part of Google's larger initiative to gain traction with
consumer goods companies that spend billions on brand advertising.
Founded as a text-based search company, Google's early advertisers
were smaller companies and advertisers that bought ads to generate
direct sales rather than to build brand recognition.

Large brand advertisers still spend the bulk of their money on
television advertising, but Google sees potential for them to spend
more online through the use of video ads.

But Google's broad plan to bundle media content with ads depends on
participation from media companies. On the one hand, Google's network
will bring more visibility of their content across the Internet, where
attention is fragmented online among thousands of sites. On the other
hand, media companies like to be a destination in their own right, so
that they can sell ads on their sites.

"We want people to come directly to our site, but that's part of why
we're doing this," said Sarah Chubb, president of CondeNet, the
digital arm of Conde Nast. "To see if we can find people that we
haven't found in other ways."

Media companies also want to keep control over their relationships
with advertisers. Google sells ads in its network for Conde Nast
videos, but in a similar content-ad test with MTV Networks last fall,
MTV sold the ads (sharing the revenue with Google).

Adam Cahan, executive vice president of strategy and business
development for MTV Networks, said that his networks want to make sure
that when their content is distributed on the Web, it links to their
sites.

"In the same way that Harry Potter book sales grow from a Harry Potter
movie, you would not give the movie away to support the book sales,"
Mr. Cahan said. "There is a balance between promotion and consumption
that is up to the original content producer to manage."

Thursday, February 15

Study: Print Beats Broadcast to Online Video Advertising

Broadcasting & Cable, 2/12/2007

Local online video advertising is shaping into a battle between traditional print and television news providers, according to a new report from Borrell Associates.

Worth about $161 million in 2006, the local online video advertising marketplace is expected to grow to $371 million, or 5% of local online advertising, this year and to balloon past $5 billion in next five years.

In 2006 the market for locally targeted online video ads quietly solidified into a legitimate market with the three largest markets ( Chicago , New York and Los Angeles ) worth more than $5 million each. The next 37 largest markets also each saw more than $1 million in revenue from online video, according to Borrell.

The growing advertising category has benefited publishers and broadcasters moving online, but initially has been embraced much more quickly by print. In 2006 newspapers sold approximately $81 million in local online video commercials in comparison to $32 million sold by TV broadcasters.

Broadcasters are expected to bounce back this year, however. Thanks to an increasing number of video streams available on TV Websites, 80% of broadcasters surveyed by Borrell expect to sell streaming video ads this year, up from 72% who did last year.

The online video advertising market is expected to increasingly revolve around the strength of Websites' video content, an area which many larger newspapers have been working hard to cultivate.

The report comes on the heels of report from the Television Bureau of Advertising that online TV revenues were up 41% in 2006.